Este artigo pretende demonstrar que as obras Le Père Goriot (1834/1835) de Honoré de Balzac e The Picture of Dorian Gray (1890) de Oscar Wilde, integrando vastas redes de sociabilidade responsáveis pela invenção de um universo discursivo homoerótico, criaram identidades homoeróticas especÃficas, ao operarem com representações da pederastia grega no século XIX.
This article intends to demonstrate that the works Le Père Goriot (1834/1835) by Honoré de Balzac and The Picture of Dorian Gray (1890) by Oscar Wilde, integrating wide webs of sociability responsible for the invention of a homoerotic discursive universe, created specific homoerotic identities, by operating with Greek pederasty representations in the nineteenth century.
