On Brazilian Cinema: A Portrait of Director and Producer Walter Salles

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Início Publicação: 31/10/2006
Periodicidade: Semestral
Área de Estudo: Letras

On Brazilian Cinema: A Portrait of Director and Producer Walter Salles

Ano: 2010 | Volume: 5 | Número: 1
Autores: Michael Korfmann, Filipe Kegles Kepler
Autor Correspondente: Michael Korfmann | [email protected]

Palavras-chave: Walter Salles; Brazil Cinema; Cultur.

Resumos Cadastrados

Resumo Inglês:

Walter Salles is probably the most widely known Brazilian director and
producer. This article offers a portrait of his work over the last two decades
as part of the cinematic and cultural changes that took place in Brazil. It
starts with a historical overview of Brazilian film history and will then take
a closer look at the films directed by Salles and his activities as producer.
By looking at the evolution of the Brazilian film industry in the last ten to
fifteen years in terms of market structures as well as aesthetic qualities, two
major references become apparent: the more (but not only) commercial
oriented productions of Globo Filmes, which often meet public taste and
rely on a well-proven television language; second, the movies of Walter
Salles as well as the films produced by Videofilmes, a company run and
founded in 1987 by him and his brother, the documentarist João Moreira
Salles. Videofilmes not only fosters many of the somewhat marginal,
smaller film projects, but also serves as support for more artistically
orientated movies.