Neste artigo pretendemos lançar luz sobre alguns aspectos da trajetória do ator, dramaturgo e agitador cultural Oduvaldo Vianna Filho, enfocando particularmente algumas de suas relações com o cinema brasileiro. Neste sentido, elegemos aqui como ponto central as polêmicas que travou com os diretores do Cinema Novo, sobretudo com Glauber Rocha.
This article aims first to analyse the Dutch landscaping painting (painted by artists as Frans Post, Gillis Peters, Zacharias Wagener, Georg Macgraf and Albert Eckhout…) about Brazil, in the invasion moment, conquest and establishment of the Brazilian Northeast domination in the Seventeenth Century, with the purpose to apprehend sense imaginaries constructions and also through landscape to observe how “Brazil invention” was made by other point of view.
