Kant’s early essay, Universal Natural History and Theory of the Heavens (1755), is commonly regarded as an original contribution to the development of Newtonian cosmological ideas, and as a step in the evolution of Kant’s own thought. In this paper I try to show, firstly, that despite the recognised debt to Newton’s Principia, the young German thinker makes a personal philosophical synthesis of several ancient and modern sources of cosmological thought; secondly, that besides the novelty of the exposed conjectures about the mechanical production and systematic constitution of the Universe as a whole, and beyond the boldness of the proposed perspectives on the origins and continuous formation or creation of the Cosmos, this essay is also an interesting example of the manner how the young Kant works in such matters as cosmology and cosmogony. There, we can perceive and identify the epistemic presuppositions he puts in action, which are founded in the principle of analogy, used largely as a heuristic principle when the direct observation of phenomena is not possible or the propositions of natural philosophy cannot reach the mathematical precision and geometrical rigour.
