This paper aims at analyzing the work Fantomas contra los vampiros
multinacionales by Julio Cortázar, under the approach of heterogeneity,
highlighting the relationship between literature, comics and other arts and
media. I focused on the artistic expressions as free zones, or, places where
it is possible the free exchange of information beyond the existing
boundaries. It aims to address the Fantomas character in this publication
and other works, literary or otherwise, in which the character is presented,
explaining the change that the character suffers through the passage
through various media, various arts, considering the socio-historicalcultural
context in which it is inserted.Besides the heterogeneity of the
work of Cortázar, this study also aims to analyze the characteristics of the
character in the texts Fantômas (1911), and Souvestre of Allain, the comic
Fantomas y el tesoro (1967), Cardona Peña, and text Fantomas contra los
vampiros multinacionales (1975), by Julio Cortázar.
