Calvino’s Cloven Viscount from page to stage
Cadernos de Tradução
Endereço:
Campus da Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão. Prédio B, Sala 301 - Trindade
Florianópolis / SC
88040-970
Site: https://periodicos.ufsc.br/index.php/traducao
Telefone: (48) 3721-6647
ISSN: 21757968
Editor Chefe: Andréia Guerini
Início Publicação: 31/08/1996
Periodicidade: Quadrimestral
Área de Estudo: Linguística, Letras e Artes, Área de Estudo: Letras
Calvino’s Cloven Viscount from page to stage
Ano: 2001 | Volume: 1 | Número: 7
Autores: Julio Cesar Jeha
Autor Correspondente: Julio Cesar Jeha | [email protected]
Autor Correspondente: Julio Cesar Jeha | [email protected]
Palavras-chave: Calvino, Cloven Viscount, Translation
Resumos Cadastrados
Resumo Inglês:
The relation that Higgins and McHale discerned between modernism and postmodernism reappears between Italo Calvino’s Cloven Viscount and its Brazilian stage version. Written by Cacá Brandão, the play Partido was staged by Grupo Galpão in 1998. While the Italian author worried about the moral responsibilities of humankind in postwar Europe, the Brazilian playwright focused on the essence of the human. Calvino’s existentialist approach would place him within the epistemological perspective that characterizes modernism, while Brandão’s concern with the condition of human beings would situate him along the ontological bias that marks postmodernism.
